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“I will be with you again,” he sang to the surging throng along the ramp in “New Year’s Day,” removing his shades for added communication, while The Edge traded between accents on electric piano and his chiming guitar. After a tense moment, Bono crawled back onto the ramp, and kept going. Most eyes remained fixed on Bono though, especially when the singer stalked the catwalk during a strobe-shot “Until the End of the World” and stepped backward in a face-off with The Edge and fell into the security moat. Watch Animated Audio Excerpt From Bono's Upcoming Memoir 'Surrender: 40 Songs, One Story' Guitarist The Edge sported a Miami Dolphins T-shirt, while Bono wore his usual sunglasses and leather jacket, bobbed toward fans reaching towards him in the pit, and ignited the song with cries of “Wooooo!” The band strode onstage like conquering heroes to launch into “Elevation” with the house lights still on. It was a fresh, simple masterstroke from a rock group that had already pioneered stage design to the point of stadium excess. The band raised eyebrows over its decision to allow standing-room floor crowds, and U2 made good use of the intimacy, unveiling a close-knit stage in the top half of a subtly heart-shaped catwalk that allowed Bono and his mates to wander into the center of the arena.īetter yet, the first 300 fans on the floor were locked inside the heart with U2, making it a club-size show for them, while safely splitting up the mob on the floor and striking an intimate balance all around.
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But the Irish supergroup took that image to new heights at Saturday’s kickoff to its Elevation Tour 2001 at the National Car Rental Center in Sunrise, Florida, outside Miami. U2 are legendary for their heartfelt connection with concert audiences.
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